What Type of Relationship Kareem Abdul Jabbar Have With His Family

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This article originally appeared in the March 1984 issue of Esquire. You can find every Esquire story ever published at Esquire Classic .

Early December 1982. I am seated at the bar of the Tavern on Greenish, which rests in a gentrified neighborhood a few blocks from the Philadelphia Museum of Art. The Tavern on Green is not ordinarily a sports bar, but tonight there is a late-night telecast from the Coast, where the Philadelphia 76ers are doing battle with the Lakers of Los Angeles.

The last time the two teams met was in the championship series the previous June. And so the Lakers cut in the turbocharger of their Ferrari fast break and cruised over the Sixers every bit if they were the Pennsylvania Turnpike. The aforementioned thing had happened two years before. And so, in Philadelphia, this game is an affair of laurels. Which means Philadelphia fans are out for blood.

They believe they will go it. In the off-flavor the Sixers agreed to pay $thirteen.2 million over the adjacent six years to Moses Malone, formerly of the Houston Rockets. If Malone tin can neutralize the Laker centre, seven-foot-two Kareem Abdul-Jabbar, Philadelphia fans say, this volition be the year they've been telling the Lakers to look until.

This night Malone earns his money, outscoring Jabbar 29 to xv, out-rebounding him 14 to 2. The Sixers triumph past 10 points, and the Tavern on Greenish resounds with cheers and jeers, most of the latter being directed at the televised image of Jabbar, who, with his incredibly long artillery and legs, his knobby knees and elbows, his balding pate, and his bulging protective goggles, looks like a meditative praying mantis.

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Kareem at the line vs. the Sixers, 1982.

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"Look at him," one watcher snarls. "He loses and he acts similar he'south bored. He thinks it's a concern. And those dumb goggles: What does he accept to article of clothing them for? And what is this name business anyhow? It's all PR. He's the most overrated thespian in basketball game."

I am a Lakers fan. I take been one since the late Fifties, when Kareem Abdul-Jabbar was a vi-foot sixth-grader who answered to the proper name Ferdinand Lewis Alcindor Jr. And then I launched into a counterargument from the Kareem Abdul-Jabbar Media Guide: high school all-American who led New York'southward Power Memorial Academy to a 95–6 tape; three times consensus college All-America who powered the UCLA juggernaut to a 3-year 88–2 record and three consecutive NCAA championships; in xiii years as a professional a twelve-fourth dimension All-Star, half dozen-fourth dimension league Most Valuable Player, who is the leading active player in points scored, second all-fourth dimension in that category behind the legendary Wilt "The Stilt" Chamberlain, and almost sure to pass him in a flavor or ii, anchor of three world champion teams, one in Milwaukee, two in L. A., one of just twelve to play on championship teams in ii cities. Peradventure, I say, if he looks bored it's because he has merely about done information technology all. "What's with him," somebody whispers. "He in love with that Kareem or something?"

Not exactly. But I did hug him once.


September 1968. I was a freshman in higher, preoccupied with freshmen of the reverse sexual activity. I immature lady seemed especially friendly and appealing. I made inquiries. "Aw, human, forget it," I was told. "She'due south been dating Lew Alcindor." I let it become; the contest was overwhelming. Alcindor was athletic, militant, televised, and upsetting to the establishment; the ultimate BMOC credentials for a blackness in 1968. And he was alpine too.

Controversy focused on his eighty-vi inches (or was it eighty-eight? There was always a suspicion that he was taller than advertised). It gave him an "unfair" advantage. Information technology would destroy the game. Bill Van Breda Kolff, then the Lakers' motorbus, who knew he would never get to sign Alcindor and who already had Wilt Chamberlain, suggested that rather than try to bring Alcindor into the NBA, "each squad in the league should requite him one hundred one thousand dollars and tell him to get to the beach."

I hadn't come to school to spend my time buttering up the press.

In that location was a lot about Alcindor that people constitute unfair. Information technology was unfair that he had forsaken his high schoolhouse charabanc, Jack Donohue, who had moved on to Holy Cross and could surely have used a seven-foot center. (What coach couldn't have used a seven-human foot center in 1965?) It was fifty-fifty more unfair that Alcindor should go to UCLA, whose Bruins had already won ii sequent NCAA championships and whose double-decker, John Wooden, was already established in a Trinity with Scarlet Auerbach and Adolph Rupp.

Of grade, UCLA got its comeuppance when, in the exhibition game intended to show off the brand-new Pauley Pavilion and honour Coach Wooden, Alcindor brashly scored 31 points and hauled down 21 rebounds and piloted the freshman team to a 15-point landing on the NCAA-champion varsity. But the comeuppance did non come very far; a year afterwards, in his varsity debut, Alcindor scored 56 points, and Wooden, speaking of the acute anxiety Alcindor must inspire in other coaches, said, "He fifty-fifty frightens me. "

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The athlete while at UCLA, 1965.

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That anxiety prompted the NCAA, afterwards Alcindor led the Bruins to an undefeated season and championship, to ban the dunk shot. Aught was said officially about Alcindor, but unofficially they chosen it the Alcindor rule and Wooden at the fourth dimension declared that there was "no question that the rule is designed to curtail the power of one player." It did not work; Alcindor compensated for the lost dunk with pinpoint passing and a shot he had been using for nearly a decade—what years later on would be christened the "skyhook" by sportscaster Eddie Doucette and pronounced by Nib Russell "the prettiest thing in sports." He took the Bruins to two more than championships. But by the time they won the second one, he was in trouble with the media.

It was not entirely his fault. His loftier school coach had put him nether a gag order, and the UCLA athletic department applied a similar restraint to the unabridged freshman team. But somehow the policy was interpreted every bit being Alcindor's thought, which caused resentment amid reporters. And once the ban was lifted, Alcindor's beliefs seemed to lend credence to the interpretation. "I hadn't come up to school to spend my fourth dimension buttering upward the press," he subsequently said.

Things might have been easier for him if he had. He might have gotten more sympathy during his sophomore year, when anonymous threats confronting his life were taken seriously enough for UCLA to hire a bodyguard. His physical problems might have been viewed with more agreement; his migraine headaches might take been presented equally truly debilitating, rather than as ailments on the order of a hangnail (fortunately Wooden himself was a migraine sufferer, and understood), and the scratched eyeball from which he suffered when UCLA lost its first game in years, to Houston, might take been seen every bit a legitimate reason for Alcindor's subpar functioning, rather than as a lame excuse.

But sometime during his sophomore year his inexperience with the media had led him to speak earnestly but incautiously well-nigh his interest in Malcolm X, the teaching of Islam, and his conventionalities that racial hatred was destroying America. Information technology was hardly an unusual manifesto for a college sophomore in 1966 or 1967, but athletes, particularly black college athletes, were not supposed to have such thoughts or fool around with weird foreign religions. (America was notwithstanding determined to telephone call Muhammad Ali Cassius Clay.) When, in the fall of 1967, it was learned that Alcindor had met with black militant athletes, notably San Jose Land track stars Tommie Smith and Lee Evans, to hash out a possible boycott of the U.S. Olympic team, it became clear to much of the public and most of the media that Alcindor was "aroused." Then UCLA'due south loss to Houston and Alcindor's poor functioning before a prime-time TV audition satisfied a lot of people politically.

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College footing vs. Houston in the NCAA tournament, 1967.

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The results of the rematch did non. After UCLA's 32-bespeak win, Alcindor strolled out of the locker room wearing a red, orange, and yellowish African robe. "Information technology was my way," he explained later, "of saying I'g black and hither it is, man, you can take it or go out information technology."

It was months earlier Smith and John Carlos would commit the ultramilitant acts of wearing long black socks and hoisting black-gloved fists during the playing of "The Star-Spangled Imprint" at the Mexico City Olympics; Jabbar was the first prominent college athlete to be identified as a "black militant." And by the time Smith and Carlos joined him in the militant ranks, he had gone to a Sunnite mosque on 125th Street and asked for instruction. In tardily August he had had his shahada, a kind of Muslim baptism. He returned to Los Angeles for his senior year not only an angry black but also a Muslim with a name that translated roughly as "generous powerful servant of Allah": Kareem Abdul-Jabbar.

And and so, just earlier his first professional flavour, Jabbar sold his story to Sports Illustrated. What he told confounded the expectations of a goodly chunk of America.

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The "heaven claw"—one of the greatest offensive weapons in the history of the game—on brandish, 1968.

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His babyhood had not been the mass media-produced black experience with poverty, illiteracy, unemployment, cultural deprivation, rats, roaches, and drugs equally standard equipment. His father was a graduate of the Juilliard School of Music and an avid reader; Jabbar's youth had been full of music, his home crowded with a "zillion" books. That domicile had non been a "ghetto" railroad flat; he was raised in a predominantly white housing project in the grassy precincts of northern Manhattan—his sleeping room disregarded non a garbage-strewn alley, merely the cool beauty of the Cloisters museum. His was not the stereotypical saga of endless hours working just on flashy moves, dreaming only of being a professional basketball role player—he had wanted to be an architect. He had lost respect for his loftier school passenger vehicle, who exploited his name and once used the word nigger as a motivational device. He had "more important things" on his mind than the loss that ended Power Memorial's seventy-one-game winning streak. He had not only dated a white co-ed, he had cleaved off the relationship because it "wasn't worth having both our lives wrecked by all this pressure level." His first car had been a Mercedes-Benz. He not only idea John Wooden, the "Wizard of Westwood," made occasional mistakes in coaching, he believed Wooden's midwestern morality constituted a personality flaw. And even with a professional person contract that one reporter characterized as giving him "the entire eastern half of Wisconsin plus the Strategic Air Command" and while continuing on the brink of what everybody who knew the sport admitted could be one of the most spectacular careers in the history of basketball, he was looking beyond to what he would practice when he finished. "What I actually want to do, " he said, "is play ten or twelve years in the NBA, see what I tin can do there against the big guys. Then I'll go back to more normal things."

All of that was bad enough. But Jabbar admitted to the sin for which no black can be forgiven: once upon a time he hated white people.


Late Apr 1982. It is a exciting fourth dimension if you are a Lakers fan. The team has done a number on the Western Briefing of the NBA, winning its sectionalisation by five games, bettering the record of the winner of the other division by nine. The team has a few days' rest while too-rans quarrel in the preliminaries of the play-offs. The rest could be all-important. It has been a long flavour, and Kareem Abdul-Jabbar has just turned xxx-five.

That is a fact the media have been making much of. For Jabbar is at a dramatic point in his career. He has played his "ten or twelve" seasons, simply he could play a few more. He may have lost a footstep or two, merely then, he always had a step or two to requite. And so his path lies somewhere in the strip of badlands that lies between "veteran histrion" and "too damned quondam," and the vultures are gathering above him.

Information technology'southward nice being underestimated in ane area and then being able to show off.

To make information technology more than dramatic, Jabbar seems to take changed, to have become willing to risk some of his austere dignity. He has appeared in a comic motion picture, Airplane, and engaged in a footling practiced-natured 1-on-one with his critics. He has clowned effectually for Sports Illustrated's cameras. He has signed a contract for an autobiography. Some people say that all this Jabbarian jocularity has to do with the possibility that, afterward the 1982–1983 season, he may go a 30-six-year-onetime free agent, in search of a team and a urban center, in need of all the good exposure he can get. Others say he's mellowing with age.

On Apr 16, his birthday, Lakers double-decker Pat Riley gives him a present and lets him sit out the last half of a meaningless game. Two days subsequently, during the telecast of the flavor's final game, broadcasters Bill Russell and Dick Stockton make note of that, and make repeated reference to Jabbar's age. He is, they agree, still a ascendant factor, which isn't bad for a xxx-five-yr-former. They mean information technology as a gruff masculine tribute, but to me it seems patronizing, as if he were some kind of toothless senior citizen remarkable because, despite approaching senility, he tin can still play the kazoo. I am a little sensitive almost Jabbar's age. We are of a generation.

Which accounts for my presence in Los Angeles. I meet Jabbar as my representative on the court, the visible presence of the experiences of my youth, and I want to know what I should make of this change. I want to know if it is a adept thing.

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As a member of the Bucks, 1972.

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The next twenty-four hour period, I drive upwards Sunset Boulevard, to Jabbar'southward dwelling house in Bel Air, hardly a mansion past everyone'due south standards. Jabbar opens his ain front door wearing a Dodgers T-shirt. He asks me to remove my shoes in deference to the umpety-ump chiliad dollars' worth of Oriental rugs that cover the floors and lie piled beside the well-used fireplace. Jabbar sits down on the burrow, his knees bending to an amazingly acute angle. On one of them he balances his xix-calendar month-old son, Amir. Information technology occurs to me that Jabbar is using Amir as a shield.

Jabbar knows where I went to school and asks if I ever ran into the young woman I admired as a freshman. The only affair he tin can remember of that his early involvement with basketball cost him was the opportunity for "dealing with the ladies while I was in high school." It is something he has said before. But when I shift the subject to something he has spoken of and then oft he should have gone to slumber, the glory of the dynasty and whether it could ever happen again, at UCLA or elsewhere, he adds a new element to the answer: "It could happen. At that place's a lot of pressure for it not to. When I was a senior in high school, I just took the whole southeastern part of the state and cutting that off the map. And skillful black athletes from that part of the country either had to go to a black schoolhouse or they'd leave, they'd go to the Big 10, they'd come up out here. The able-bodied programs in the Big Ten and out here benefited from Jim Crow a lot. Once that was over, you had those guys staying at home, and the basketball game teams in that area of the state accept improved."

He says it very coolly, every bit if it were an analysis of ancient history, rather than a force that shaped his life. I ask him about his "white hating" menses, which, ironically, was at its apex years earlier he was branded a militant. Again he speaks of it coolly, citing as a cause the events of the civil rights motion: "Watching all those freedom rides and stuff on television, I'll never forget the people on the Pettus Bridge [outside Selma, Alabama]. I watched that. And then when they blew up that church in Birmingham, that really freaked me out." He resists the thought that there was anything more than personal, even though, back in 1969, he spoke of racist slights that caused him to tell his light-skinned female parent that he hated every drop of white blood in her, and in himself. Now, two decades after that incident, he dismisses the slights as minor and speaks of a autobus trip he took. "When I was in high school my mother sent me downwardly to Goldsboro, North Carolina, to exist my family'southward representative at a graduation. And I saw information technology all. Black h2o fountains. So-and-so'due south white grocery. The whole affair with Jim Crow was right there for me to see, equally before long as we got by Washington, D.C."

He mentions that trip non to explain his own feelings, but as part of a demonstration of his belief that things have inverse. "At present, " he says, "I play with a guy named Norman Nixon. He's from as far down south as you can get, every bit far as I'grand concerned. He didn't actually have to deal with that blazon of discrimination. So I know things have inverse." At present he says that the alter in his proper name, which seemed so crucial to everyone back in 1969, was not that large a deal, that he could have kept trunk and soul together as Lew Alcindor. "It wouldn't accept been whatsoever problem. Just at that time I really wanted to assert my ain identity, not one that was dropped on me past the slave trader Alcindor." Now, although "certain aspects of American racism are very intractable," he says, "my frustration comes from dealing with black people, who could, at this bespeak, practise a lot for themselves and still don't...the whole idea of economical cooperation and political activism that tin definitely make the organisation work for black people and black people don't seem to be taking reward of information technology. I think survival has been the merely issue; once they know they're going to survive, they slack off. That depresses me a lot." That argument, I say, could get him into trouble. He snorts disdainfully. "With who?" With almost everybody, I tell him. "It'due south true," he says. For him, that ends the matter.

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As a Laker, 1976.

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There are like limits on his interest in the political and social implications of the argument. "I accept a responsibility to my family," he says flatly. "The greater responsibility to the quote, black community, unquote, sometimes I don't see it. That is what all black people should shoulder."

Jabbar is shouldering other things: he is working on a book about Oriental rugs; he wants to write portions of his autobiography himself, even though he gets along well with his co-author, Peter Knobler, with whom he shares a philosophy: "Pete said we could do it well or nosotros could practise it quick. Then we're going to try and do it well. "

That, I realize, is a central to Jabbar; he is searching e'er for a kindred spirit, someone with a philosophy based on self-control, subject area, patience. It explains why, on the courtroom, he often seems similar a man doing business. He does retrieve that part of it is business. "As soon as you lot come to write near it, or CBS puts information technology on the tube, information technology becomes a business." Information technology has been and so for him for a long time: "Basketball started paying bills for me early on. I got my high school tuition because I got a basketball scholarship, and that'south when you really become a professional person." But every bit far as he'southward concerned, "the guys that play in the Y leagues, that's the real essence of the sport."

His philosophy also explains why he was able to play for John Wooden at UCLA, despite his belief, expressed in 1969, that "whenever Coach Wooden had to deal with somebody a fiddling different from the norm, he blew the case."

"Coach Wooden," Jabbar says now, "wasn't focused on getting united states all crazy.... He could control the emotion and utilize information technology.... " The appreciation for such a disciplined arroyo no doubt originated in Jabbar's childhood—his male parent was a hardworking transit policeman who spent his gratis time reading and studying music—but he draws his guidance "from a lot of different sources," one of which is the seventeenth-century samurai warrior Miyamoto Musashi, author of the philosophical archetype A Book of Five Rings: A Guide to Strategy. "In strategy," wrote Musashi, "your spiritual bearing must not be any different from normal. Both in fighting and in everyday life you should be determined though calm.... Be neither comparatively spirited nor over-spirited…. Do not let the enemy meet your spirit. "

E'er since my babyhood I had this ability to depict into myself and be perfectly contented. I had to. I had e'er been such a minority of 1.

Merely Jabbar, a kid of the eclectic Sixties, does non limit himself to ane source of wisdom. He had learned from not simply Musashi and, of form, the prophet Muhammad, but Hammurabi and George Patton. "I admire him a lot," Jabbar says of Patton. "He was all the fashion, totally committed. In order to practice well at anything you lot accept to be actually committed of else accept a tremendous gift that compensates for a lack of commitment. But I recall he had both." That his admiration for Patton, among other things, puts him at odds with the epitome of him many hold is a thought he relishes: "I've messed up a lot of people'southward concept of image," he says happily. "It's nice beingness underestimated in one area and then being able to prove off."

It is, I realize, a game he plays with the business about aging. He speaks of the finish of his career in words so stock they seem apposite, albeit sincere: "I just desire to finish with some dignity and endeavour to live upwardly to the standards I've ready for myself. I've kept trunk and soul together and I call up I tin practice information technology for some other yr or ii. I'm testing myself to see how long I can do it as well." He grins. "I'thousand not losing enough to make my opponents happy." But equally I look at him I see what no smile can conceal: Jabbar is achingly tired. Tired from a long flavor, a long career. In 1969 he said, "I was ix years old and five feet four inches tall—the design of my life was prepare. I operated on a cycle, and the cycle was based on the basketball game season…. All life revolves effectually information technology, like a biological clock. " Information technology has been that way, I estimate, for xx-five or twenty-six years. "Twenty-seven," he corrects. When I suggest that he will not exist playing in x more, he says, "Permit'due south hope not. " And when he is finished with basketball he intends to get far, far away: "I've had too much of this. I've already lost enough years off my life."


Mid-November 1982. The Lakers are globe champions. Last spring they romped over all opponents, spinning out a string of playoff victories that betters the five-game streak of the 1970–1971 Milwaukee Bucks—who had a signal guard named Oscar Robertson and a center named Kareem Abdul-Jabbar—and equals the longest in NBA history.

A decade subsequently his first championship Jabbar is a dragon rampant on a hardwood field. His statistics in the play-offs put him fourth on the team in assists; third in offensive rebounds; 2d in defensive rebounds; commencement in shots blocked, with xl-five; first in scoring, with an average of twenty.four points per game. He is still, as Peter Axthelm puts information technology, "the lord of the sky," withal, and The New York Times headlines it, Chiliad MASTER OF THE PLAYOFFS, and still the best way to guard him, as old coach John Kerr says, is to "get real shut and breathe on his goggles."

But there are things breathing down his cervix, too. In the championship series migraines hampered his operation in two games. In game five he scored fewer than 10 points for the commencement time in 379 games. His overall scoring average was nearly 9 points below his career playoff average.

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Against the Sixers in the 1982 Finals.

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Now, in the infancy of the 1982-1983 season, that is cause for thought. The Lakers are a young team, so loaded with talent they add together only one thespian, the number-1 draft selection, James Worthy. You might speculate that they could get along without a middle who is merely a year or so younger than the NBA itself. In Los Angeles they are so speculating. One writer, Doug Ives, of the Long Embankment Press-Telegram, has even found a way to blame Jabbar if the Lakers lose while he has a adept game: Jabbar shoots besides much. "Of all the Lakers," Ives wrote, "Kareem shows the virtually disappointment when he makes a move to get the ball and then it isn't passed to him." The criticism is so naive and illogical equally to exist insignificant. What may be significant is that it is reprinted in a Laker game program, making me wonder if perhaps the "nosotros'd be better off without Jabbar" notion (which is nothing new) is not something the management would just as soon have floating in the backs of fans' minds.

For at the starting time of this, the concluding year before Jabbar becomes a gratis agent, the Lakers take not signed him to a new contract. That is probably shrewd business—under NBA rules, the Lakers can retain Jabbar simply by matching the best offer he gets elsewhere—merely it seems a bit disrespectful. He has helped the Lakers to two championships in 3 years. All he wants, rumor has information technology, is the 2-1000000-plus a yr that Moses Malone, who has never helped anybody to a title, is already getting. I am worried that the grueling season, the dubiousness, and the criticisms may wear him downward.

The world is bigger than all this.

And and then, when the flavor is however young, before the showdown with the rebuilt Sixers, I become again to Los Angeles, to take Jabbar to dinner and meet how he is.

He is tired. The night before I see him, later a road game, he had a shot of rum to help him sleep. He is not a drinker, and the unfamiliar alcohol propelled him to the altitude of the cheap seats and kept him in orbit there all night. Now he sits yawning in the butchery of his living room, among a irksome avalanche of leaking helium-filled balloons. Amir has had a political party for his 2nd birthday, a patented Bel Air affair complete with clowns and ponies and a choice of regular hot dogs and chicken franks, for those toddlers into modified vegetarianism.

But Jabbar's tired is a dissimilar kind than that which I detected at the end of the previous season. He is enthusiastic about the Lakers' chance to repeat as champions, something that hasn't been done in all the years he has been in the league. He is excited nigh his new teammate, James Worthy, and his old teammates—he is quick to signal out that Worthy's is the but face that is new. He is not depressed or worried about the migraine trouble; he thinks he has it cured. "Allergies," he says firmly. "I just eliminated certain things from my diet and the doctor gave me an acupuncture treatment and I haven't had any problem." Now he speculates that he could exist in the game v years from now, if he still needs the challenge, citing as an example Muhammad Ali: "If Ali had stayed in shape...if he'd kept involved in information technology and fought in one case or twice a year, or whatever, he'd withal exist the best."

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Taking on Robert Parish in the Boston Garden, 1980s.

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It is clear the off-flavor has invigorated him, with days of rest in Hawaii and the stimulation of a trip to China. There Jabbar found a society of a style and a philosophy close to his own. "I liked seeing how, but through sheer force of volition and discipline and application, these people went from a feudal society to a twentieth-century society in like xxx-v years," he says. "The Chinese are a very self-sufficient people, and if they are going to proclaim communism—they stressed this to everybody, particularly the Soviets—information technology's going to have to make sense to them and not to exist ironclad leap to traditions…."

Suddenly I hear him talking not about China simply almost himself. What was always important was that the thing make sense, not to anybody else, but to him, at the time. One time it made sense to change his name. And once it made sense to deal with the world as he once said he dealt with problems at UCLA: "E'er since my childhood I had this ability to draw into myself and be perfectly contented. I had to. I had ever been such a minority of one. Very tall. Blackness. Catholic. I had fabricated an adjustment to being a minority of i and now I said to myself I was going back to that."

And now information technology makes sense to open up even with regard to something as personal every bit an autobiography. For although Jabbar insists that information technology was important that his co-writer be black, he accustomed Knobler, who is, as i of his editors put it, "the only white guy Kareem would work with." One time in that location would not have been one.

"I've inverse my approach to people and to situations," Jabbar says. "It's time. I call back I was overprotective of something...of my privacy, the absolute confidence that I would be misunderstood. But that's inevitable. Maybe I've acquired some wisdom and learned to be pragmatic as I've matured. My convictions are the same. But we have to learn how to deal in the world, this world, the existent world."

kareem
In Los Angeles, 1980.

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Later on I meet upwardly with one of the reasons "it was time": Cheryl Pistono, Amir'south mother and Jabbar'south companion for the last few years. Cheryl, at first glance, seems to showroom the worst qualities of the "sports wife"—pushiness, nosiness, overprotectiveness, bossiness. But a 2nd glance reveals she's non trying to control, she is trying to take intendance, albeit of everything and everybody in sight. She has organized Amir'south party like the Normandy invasion. ("Cheryl," Jabbar says gently, "I think nosotros may be spoiling Amir.")

As I watch the 2 of them, 5-human foot-four-inch Cheryl playing terrier to Jabbar's greyhound, I wonder which came start, actually, Cheryl or his change. It is certain that she accelerated it; she is not a woman to tolerate an backlog of moody silence and she tin can ask questions that would make Barbara Walters envious. I do non wonder, however, at the apparent oddities in their pairing—the dissimilarity in their sizes, and the fact that Cheryl is white, a Buddhist, nearly a decade younger, and so far removed from the world of basketball game that when she met Jabbar she did not recognize him, even past proper noun. All those things are office of her charm. Cheryl can empathize Jabbar every bit few tin, for she, too, has left Catholicism for a non-Western religion. Her youth gives her a kind of innocence; she cannot encounter him in light of history mostly because she doesn't remember it; with her, Jabbar can truly put it all behind. And he tin can know that she is not drawn to him only by his fame or basketball game abilities. She is a bridge to the "more normal things" he alluded to a dozen years agone and has never himself experienced.

In any case, she is obviously adept for him. In her presence he relaxes, his vocalisation deepens and loses some of its tension. He grins boyishly. Acts shy. Even shows his hurt that the Lakers accept allowed him to go into this flavor unsigned. He shows his spirit, as Musashi would say.

Equally we get out the eating place I reach out to shake Cheryl's hand. "I hug," she informs me, and so, of course, we do. And then she says, "Kareem hugs, too." And so Jabbar and I engage in a weird embrace, with my olfactory organ somewhere in the region of his belly button, while Cheryl beams at usa similar an approving parent.


Nov 1983. The beginning of another basketball game season. It volition be, about probable, the year Jabbar sets the NBA record for points scored. Information technology volition exist his 20-eighth season every bit a player, his fifteenth as a professional. I am worried that it may be his last.

The 1982–1983 season was difficult for him, both off and on the court. In January his domicile burned to the footing, taking with information technology rugs and trophies and the mementos of a career, a lifetime. In January, too, the migraines returned, forcing him to sit out the 2nd of two regular season games against Philadelphia. The first one, back in December, proved sufficiently prophetic; in June the 76ers humiliated the Lakers, defeating them in 4 directly games. And through nearly of the months of the off-season, Jabbar remained unsigned, by the Lakers, by anyone. Philadelphia had Moses Malone, who was being touted as the league's premier center; Houston had replaced Malone with Ralph Sampson, touted as the centre of the future. Jabbar floated in limbo.

At present, although the Lakers accept finally re-signed him, I wonder if he can play with the same concentration, with the aforementioned desire. "Basketball game, " he said, "is definitely a ways of personal expression." And, speaking of the immortal Robertson: "Oscar would have played a couple of more years. Only whatever information technology was, he didn't feel he could brand that delivery, and he stepped abroad from it." Maybe, I think, Jabbar will tell all these people playing patty-cake with his ways of self-expression to go to hell, and just step away.

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Late in his career vs. Nib Laimbeer and the Pistons.

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In whatsoever case, those thoughts accept made me realize that Jabbar will step away eventually. "My days," he had said, "are numbered." And I think that the inevitability of his retirement holds more dread for me than for him. He has always thought beyond his career. "The world is bigger than all this," he had said of his sport, and, of course, he was right.

But to my mind that says but a function of it. Information technology seems to me that Jabbar has made basketball bigger. He has altered the game. He has upset the categories into which we would similar to push button our athletes. He has forced some of us to deal with the reality of a 7-foot-tall black who practices Islam, reads science fiction, was rated by Playgirl magazine one of the ten sexiest men around, and who plays a game with the precision of a surgeon, the dignity of a statesman, and a calm that, as Neb Bradley put information technology, "engulfs opponents." His name on a roster, in a game programme, his image on a TV screen, is a symbol of history, of the power of diversity, of the viability of alternatives, of the fact that the world is indeed bigger than all this. Information technology may be that I have an overfondness for the values of our generation, or that I take watched so many basketball game games that I am not happy unless I can see the world in passes and fast breaks, but I cannot see this same significance in other basketball players. What, I wonder, is the history of Ralph Sampson? What is the symbolism of Moses Malone?


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Source: https://www.esquire.com/sports/a38949944/kareem-abdul-jabbar-interview-profile-1984/

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